Ten biblical film classics
Stories of saints, sinners and Jesus have figured in numerous films across more than a century of cinema. Bible-themed movies have ranged from cast-of-thousands epics to the arty and existential. Others are plain silly.
The golden era of biblical film: The 1950s
In the '50s, Hollywood began to bring biblical stories to the big screen with elaborate special effects and casts of thousands. Cecil B. DeMille's 1956 epic drama, "The Ten Commandments," was a highlight of the biblical genre. Charlton Heston (photo) played the role of Moses dividing the Red Sea and leading the people of Israel to the promised land.
Moses' silent film start
DeMille was one of the pioneers of the biblical film genre. The director, renowned in Hollywood for his ability to direct thousands of extras, had actually filmed "The Ten Commandments" back in 1923. The high budget rendition of the Exodus was the first in DeMille's early biblical trilogy, which also included "The King of Kings" (1927) and "The Sign of the Cross" (1932).
Tales of Jesus on the big screen
The success of Hollywood's lavish postwar Bible movies continued into the 1960s. In this period, many directors were increasingly focused on the New Testament and its figure of Jesus of Nazareth. In 1961, Nicholas Ray's "King of Kings" was the first major color and sound film to tell the story of Jesus, following his life from birth to resurrection.
Biblical minimalism from Pasolini
Italy was the place to go for Bible films in Europe, with many Hollywood productions also shot there — often in Rome's Cinecitta studios. But in 1964, young Italian auteur Pier Paolo Pasolini took the genre to a new level with his "The Gospel According to Saint Matthew," a sparse, artistically ambitious film about Christ that mainly starred non-professional actors.
"The Greatest Story Ever Told"
But Hollywood continued to churn out monumental Bible films. Director George Stevens' 1965 epic promised just what the title suggested, with Max von Sydow playing the biblical figure of Jesus Christ in the latest retelling of his birth, crucifixion and resurrection. The original running time was four hours and twenty minutes. It received five Oscar nominations but divided critics.
Jesus Christ Superstar
After the upheavals of the 1968 student protests and the hippie era, the time had come to cast a different light on biblical stories of Jesus. Producers and directors began to imbue the prophet with a more freewheeling 1970s aesthetic, especially in the film adaptation of Andrew Lloyd Webber's rock musical "Jesus Christ Superstar," which was an international success in 1973.
A look on the bright side
British comedy troupe Monty Python took this freer approach even further when, at the end of the decade, they staged biblical episodes to create absurd and hilarious comic routines. Their 1979 film "Life of Brian" was a huge success — but it also came under fire and was banned in countries like Ireland, with both Christians and Jews calling the film blasphemous.
Noble King David
But directors still created truly "serious" Bible films, including the 1985 British-American co-production "King David" by Australian director Bruce Beresford. Richard Gere starred as a noble shepherd and later King David who takes on Goliath. "The emotional experiences in the film will be easily recognizable because they're so universal," said the director of the arthouse fable.
The Last Temptation of Christ
American director Martin Scorsese revived the genre in 1988 when he brought his ambitious film "The Last Temptation of Christ" to movie theaters after massive church-led protests. Willem Dafoe plays a doubting Jesus undergoing great existential angst. The film was a critic favorite but was so controversial that it inspired acts of terrorism, with a Catholic group attacking a Paris cinema.
Gory details
In 2004, Mel Gibson also provoked a global debate about a biblical film adaptation with his incendiary "The Passion of the Christ." Portraying the story of the last days of Jesus Christ in graphic detail, the realistic scenes of violence shocked audiences and the church alike. Shot mostly in Italy, the film also polarized critics but gained three Oscar nominations.